Midsummer Night’s Dream Soap

After I made my Seaside soap, I immediately thought about making a soap mimicking the night sky. I made this soap in the same way as the Seaside soap’s ocean layer.


Midsummer Night’s Dream’s title was inspired by William Shakespeare’s play of the same name; it is one of my favorite plays. I love teaching it.

The soap is made with cocoa and shea butters and olive, coconut, sustainable palm, sweet almond, and castor oils and a kiss of kaolin clay and real silk. The fragrance has top notes of mandarin balm, tangelo, and eucalyptus; middle notes of jungle moss, patchouli leaf, and sandal tree; and bottom notes of redwood forest, amber glow, and musk. It should be available April 16.

Soaping is Art

Over the last few months, I feel I have grown as a soapmaker. I owe a lot of this growth to the helpful people on the Soap Making Forum and more specifically, to Celine Blacow of iamhandmade.com. Celine is gracious enough to create video tutorials of her soapmaking process, and I think I have learned more techniques from her than from just about any other book or tutorial I’ve found.

Jane Austen Series
My Jane Austen series: Sweet Jane, Mrs. Darcy, Marianne’s Passion, and Emma

For me, soapmaking is art, especially the kind Celine makes. I am growing to consider myself an artist. When I initially chose to use the word “artisan” to describe my soaps, I did it more out of a feeling that soapmaking was a craft, and artisans were craftsmen. Soapmaking is a craft, but it is a thing of beauty for its own sake, too. The great thing about soap, however, is that it’s art meant to be consumed and appreciated not just for its appearance, but also for what it does for your skin and how it smells.

I start with a fragrance I want to use. When shopping for handmade soap, the first thing I do is pick it up and smell it, and I have noticed others do the same thing. In fact, I have sold soap better when customers can smell it. The kind of fragrance I plan to use often influences my choice of oils and whether I would use water or milk. For instance, when I made my Coconut Lime Verbena soap, I was influenced to use coconut milk by the name of the fragrance.

After I’ve decided on a fragrance, I carefully consider what type of oils to use in my recipe. If I am after a certain feel or a certain color, I try to balance oils that will give me the desired results and are a good balance of conditioning and cleansing and will lather up well. I have a go-to set of favorite oils and butters that includes olive oil, coconut oil, palm oil, castor oil, shea butter, cocoa butter, sweet almond oil, and avocado oil. I have never used all of these oils and butters at once, but I rarely stray outside this list when formulating my recipes. Lately, I’m finding I really enjoy using cocoa butter in my soap, and I’m becoming a fan of sweet almond oil and avocado oil, too. However, I recently tried sunflower seed oil in my Emma soap (pictured above—the yellow and cream colored soap with calendula flowers named for Emma Woodhouse in Jane Austen’s Emma). It isn’t cured yet, but I wanted to use it because the soap is such a sunny soap that it needed a sunflower oil in it. Incidentally, I’m thinking about calling that soap “Matchmaker,” but I haven’t made up my mind yet.

Finally, I think about color. I have only really seriously begun experimenting with colorants in the last month or so, and I am so pleased with most of the soaps that have resulted. I have found that working with colors adds a level of challenge to the soaping experience. I enjoy trying to think of an appropriate palette and technique. Some fragrances seem to pair well with certain colors. For instance, my Marianne’s Passion soap (pictured above behind “Emma” and named for Marianne Dashwood in Sense and Sensibility) is scented with a Black Raspberry Vanilla fragrance, and I felt tones of mauve, pink, and white would do nicely. I was happy with the resulting soap even though I wound up with some crackle (glycerin rivers), most likely because I didn’t mix my titanium dioxide well enough. I’m learning.

My most recent soap (made just this evening and currently in the freezer) is an Anjou Pear Blossom soap. I decided on coconut milk as a base, but I discovered I’m all out, so I used buttermilk instead. I’ll be curious to see how the soap comes out because I haven’t tried buttermilk before. I decided that the best color scheme might be white, green, yellow, and a yellowish-green. I used a tiger-stripe swirl I learned from Celine Blacow that basically involves pouring stripes of soap down the middle the mold in layers, one on top of the other, until the soap is used.

I used the same technique recently with a Valentine soap I made just for friends and family, colored in two shades of pink and white and scented with a fragrance dupe of Victoria’s Secret’s Bombshell. The scent is described as “succulent purple passion fruit, burgundy Tuscan grapes, sun-kissed yellow peonies, fragrant vanilla orchids, and just a hint of fresh greenery.” Smells heavenly, and the soap turned out gorgeous.

Be Mine
Be Mine: A Valentine’s Day gift soap

I usually gel my soaps, but I really wanted to make sure the titanium dioxide behaved, and I had read that if you do not gel, it seems to prevent the kind of crackle I had with Marianne’s Passion. Sure enough, I think the white does look better, although I have learned that if I do not gel, I need to be extremely patient about cutting the soap. I can usually cut as soon as twelve hours after making a gelled soap, but ungelled soap is still too soft to cut. In fact, I learned that I need to leave it in the freezer for 24 hours, then let it sit in the mold another day, and I think I could still wait at least one more day to cut after that. Possibly more.

Be MineMy lack of patience accounts for a little bit of the lighter pink streaks you may be able to see on the darker pink.

Be MineStill, I did better than with my batch of Elinor (still trying to decide if that name will stick, or if I will get more creative with it—of course, inspired by Elinor Dashwood of Sense and Sensibility).

ElinorThe blue and cream swirl turned out pretty. I used an in-the-pot swirl and poured a layer of the blue in the mold before swirling.

ElinorUnfortunately, I unmolded it and cut it too soon, so you can see the texture of the soap is a little rough. But the swirl came out nice, and I learned something important about working with ungelled soap.

My point, and I do have one after all this rambling about my recent experiments, is that as I have learned, I have grown to see making soap as an art form. Sometimes variables such as colorants, fragrances, and temperature cause the soap to turn out differently than I had planned, but in general, I find the results to be unique and interesting, and I’ve been happy with the recent experiments.

Most importantly, I’m starting to feel like my soaps are earning the “artisan” title I somewhat prematurely gave them when I started.

Sweet Jane

I have been watching Celine Blacow’s instructional videos, and I can’t think of anyone else I’ve seen who is half as good at explaining how to swirl. She does many different swirling techniques, including the hanger swirl, which I’m dying to try—unfortunately, I don’t have any hangers. Well, that’s not true. I have a bunch of plastic ones I can’t bend. A co-worker said he’d donate a bunch to me. I’m looking forward to trying it out.

Here is Celine’s tutorial:

I ordered a few new colorants from Bramble Berry and did a successful in-the-pot swirl with three colors (Fizzy Lemonade, Ultramarine Violet Oxide, and Hydrated Chrome Green pigments) in a shampoo bar recipe with tea tree oil. Those bars are still very soft, but I’ll post a picture soon.

After trying it once, I decided to do another, but I wasn’t sure what I wanted to do. I realized I still had some Lemon Verbena fragrance oil from Bramble Berry, so I decided to do a coconut-milk based soap using the Fizzy Lemonade pigment and Lemon Verbena fragrance. I’m calling it Sweet Jane after Jane Bennet in Pride and Prejudice. Jane Austen’s classic novel celebrates its 200th anniversary on January 28, 2013! Anna Quindlen once describe Jane Bennet as “sugar to Elizabeth’s lemonade.” She always looks for the best in everyone. Here she is as portrayed by Rosamund Pike in the 2005 version of the film (she’s the blond).

The Bennet Sisters
From left to right: Lydia, Kitty, Lizzie, Jane, and Mary

Jane refrains from judgment. She’s quiet and serene. Lemon Verbena is a perfect complement to her sweetness of character. I imagine she smells exactly like Lemon Verbena. And the yellow not only complements the soap fragrance, but also alludes to Jane’s hair color, believed to be blonde. Jane wrote in a letter to her sister Cassandra:

Henry & I went to the Exhibition in Spring Gardens. It is not thought a good collection, but I was very well pleased—particularly (pray tell Fanny) with a small portrait of Mrs. Bingley, excessively like her. I went in hopes of seeing one of her Sister, but there was no Mrs. Darcy;—perhaps however, I may find her in the Great Exhibition which we shall go to, if we have time;—I have no chance of her in the collection of Sir Joshua Reynolds’s Paintings which is now shewing in Pall Mall, & which we are also to visit.—Mrs. Bingley’s is exactly herself, size, shaped face, features & sweetness; there never was a greater likeness. She is dressed in a white gown, with green ornaments, which convinces me of what I had always supposed, that green was a favourite colour with her. I dare say Mrs. D. will be in Yellow.

Martha Rainbolt argues in a 1988 English Language article entitled “The Likeness of Austen’s Jane Bennet: Huet-Villiers’ ‘Portrait of Mrs. Q” that this image may be the one Jane Austen saw:

Portrait of Mrs. QSeems logical to me based on the evidence I’ve seen. She’s a very sweet-faced lady.

Doesn’t she look like she’d wear Lemon Verbena?

I’m not sure what I’m going to get with this soap. My experience with the Fizzy Lemonade colorant is that it doesn’t look like it has changed color at all when you add it to the soap batter, but after it has saponified, it is a very pretty yellow. Right now, it just looks yellow. Who knows what will happen when I cut it? I’ll post the cutting pictures tomorrow.

For the interested, here is the recipe:

  • 30% olive oil
  • 25% coconut oil
  • 25% palm oil
  • 10% sweet almond oil
  • 5% cocoa butter
  • 5% castor oil

By the way, in case you were wondering, yes, I will be making a soap for each of the major characters in Pride and Prejudice this year.

Swirling Success

I’ve been trying for some time to swirl two colors together with no success, but I finally did it!

Coconut Lime VerbenaI created this soap because I didn’t have enough lemongrass essential oil to make a second batch of Lemongrass Sage today. Lemongrass Sage has turned out to be my most popular soap. I sold out of the supply I brought to a recent craft fair at my school, and I have sold several bars of it over this Thanksgiving weekend. I have to admit, it’s a great soap, and I use it myself on my face.

At a loss as to what type of soap to make, I decided to try something new. I had a coconut lime verbena scent I had been meaning to try, and I had some green colorant left over from making the Cucumber Yogurt batch (as it turns out, I needed to use a lot more colorant to make the soap look greenish), so I decided to try swirling again.


  • 30% olive oil
  • 25% coconut oil
  • 25% palm oil
  • 10% avocado oil
  • 5% cocoa butter
  • 5% castor oil

Coconut Lime VerbenaI started to use yogurt as a base when it occurred to me I should try coconut milk instead because of the coconut lime verbena scent. I knew I wanted the white part of the soap to be as white as possible without using titanium dioxide (I don’t have any). My shea butter is raw, unrefined shea butter, and it has a yellow cast that makes my white soaps a more yellow shade of cream. The cocoa butter I have is white, and I noticed when I used it to make the Vanilla Sugar Cane soap that the soap batter was much whiter than normal, though because of the vanillin in the fragrance I used, the soap later turned a browner color. So, I decided to use cocoa butter in this recipe when I usually use shea. On a whim, I also decided on avocado oil instead of sweet almond or a full 40% olive oil. No particular reason aside from wanting to experiment. Avocado oil is good for people with sensitive skin, and it has vitamins A, D, and E.

I mixed the oils with the coconut milk and lye, added the fragrance, and divided the batch in half. I colored one half. By the time I had the colored portion ready, the white portion had already reached the consistency of very thick pudding, or perhaps mashed potatoes like I make them (whipped potatoes, really). I started to lament a little bit, thinking of my Amy Lowell Lilac Soap, when I remembered a swirling technique I learned on YouTube:

The swirling technique Celine described saved my soap! I think it turned out gorgeous. It smells heavenly. I can’t wait to try it with another kind of soap. One of the interesting things about swirling is that each time the soap is different. Each individual bar is different. You just don’t know what you will get. I’m very pleased with how the soap turned out.

Coconut Lime VerbenaThe soap is beautiful, and I love the coconut lime scent. I’m also proud of the way the soap itself turned out with the coconut milk base. I admit I was excited about the idea when I remembered I had some frozen coconut milk I could use.

Creative Commons License

Coconut Lime Verbena by Dana Huff is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Permissions beyond the scope of this license may be available at Suds Life: About.

Amy Lowell’s Lilac Soap

Amy Lowell
Amy Lowell via The Poetry Foundation

Amy Lowell is a Massachusetts poet. She loved the return of lilacs to New England in the spring and wrote a beautiful poem about it. I love lilacs, too. My grandmother had a lilac bush in her back yard. They were beautiful and smelled heavenly.

I tried yet another experiment this weekend: lilac soap. Who better to name a New England lilac soap after than Amy Lowell? I had intended to try swirling two colors for the first time, but things didn’t quite work out as I had planned.


  • 8 oz. olive oil
  • 8 oz. coconut oil
  • 12 oz. palm oil
  • 12 oz. coconut oil
  • 13.2 oz. distilled water
  • 5.472 oz. lye
  • 4 T lilac fragrance oil
  • 2 T alkanet powder

Right about Tuesday of this week, I measured out two tablespoons of alkanet powder and 4 oz. of olive oil into a plastic container, stirred well, and put a lid on the container. I put the alkanet and olive oil infusion in a dark cabinet. I took it out today to use with my lilac swirl soap, intending to make two small batches of soap in different colors. I mixed the oils for each of the colors at the same time, measuring out half of the required amount. I put the infused olive oil in my colored bowl so I could remember which batch was supposed to be colored. In case you were wondering, yes, the alkanet infusion stained the plastic, but it didn’t bother me much because I wasn’t trying to prevent staining. If you use colorants and don’t want to stain your plastic, just use a glass jar for infusing instead.

Alkanet InfusionIt was a little scary to clean up afterward. Perhaps it might be best after all just to use something you can dispose of, like a pickle jar.

I had problems with my lye being too hot again, and this time, I was just using distilled water. The common denominator seems to be the lye, which is a new brand. I think I just won’t buy it again once I’ve used it up. It’s too much of a hassle to put my lye in an ice bath every single time I want to make soap. I would expect it when I’m making milk-based soaps, but not water. The lye I bought from Bramble Berry the first time I made soap costs about the same amount, even factoring in shipping, so I will just be ordering it from them.

I mixed the batch without the alkanet first so that I wouldn’t mix colorant from the hand blender into the light mix. I poured 2 T of lilac fragrance oil into each small batch of soap. The trace was too thick when I tried to pour the soap. The lilac fragrance oil accelerated the trace. At any rate, it was all I could do to spoon out globs of the soap into my mold before it hardened too much to use. I had no idea what I was going to get when I cut it open, but I think that’s true whether you spoon it out or swirl it, especially the first time. I just smashed it into mold as quickly as I could and hoped when I cut it the next day all would be well.

Well, I can say this: it could have been worse. I at least have usable soap, even though it isn’t very pretty.

Lilac SoapWhere to begin? Well, the light color is really not very pretty at all, and I suspect that its yellowish tinge comes from the shea butter I used. It actually looks prettier in these photos than it does in person. Trust me. It’s kind of a gross yellow.

Given that the color isn’t very pretty, I wish I had just colored the whole batch purple. Live and learn. As a result of trying to do too much (swirl, in this case), I wound up having the soap seize up on me, and I desperately shoved the soap into the mold, but pockets formed where there was no soap, and it was really ugly when I cut the bars.

Lilac Soap
Look at that nasty air pocket!

I suppose everyone has a batch of soap seize up on them at least once, but at least now I know that working with the lilac fragrance oil is going to be tricky, and I will need to bring my temperatures down a little to slow down the time it takes to trace and add the fragrance at a lighter trace. I also learned that swirling is really hard with floral fragrance like lilac, so I may just need to make the soap one solid purple color instead.

Lilac Soap

I also had some problems with soda ash, which is probably because it seized up, and I wasn’t able to put it to bed as soon as I should have. I had to cut the bars down quite a bit to make them somewhat presentable, as most of them had air pockets on the sides where the soap globs didn’t mash together well.

The soap smells heavenly, just like my grandmother’s lilacs, and I tried lathering up with some of the cuttings as a test. The lather is smooth and creamy. The soap has cosmetic issues to be sure, but it is something that could be used, even if I don’t think I could give it away or sell it (unless I discounted it like those outlet stores do with clothes that have something wrong with them).

I’m sorry, Amy! Next time your soap will be worthy of your name!

Creative Commons License

Amy Lowell’s Lilac Soap by Dana Huff is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Permissions beyond the scope of this license may be available at Suds Life: About.